Half The Picture opens in select theaters in NYC and LA this June!
HALF THE PICTURE consists of interviews with high profile women directors including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke and Miranda July, and many others, discussing their early careers, how they transitioned to studio films or television, how they balance having a demanding directing career with family, and challenges and joys along the way. We also interview experts about gender inequality in Hollywood including the ACLU’s Melissa Goodman, Sundance Institute’s Caroline Libresco, Vanity Fair’s Rebecca Keegan, USC’s Dr. Stacy Smith and San Diego State University’s Dr. Martha Lauzen, who establish the magnitude of this employment discrimination issue as woman are shut out across the board, of an industry that systemically denies their expression and point of view.
OPENING IN THEATERS
Friday, June 8 – Village East Cinemas, NYC
Friday, June 22 – Laemmle Monica, LA
Even before I knew of her own photography achievements, I knew that her work in this project was special and something that I had to own. I tracked down a hard copy at a fabulous black owned bookstore in Harlem called Sisters Uptown Bookstore and began my journey into a comprehensive history of black photography. I stumbled upon a Vice article about her and it quietly relit the flame under my own journey as a black woman carving out a space for herself in this white male dominated industry. As a 30+ year old digital photography student, it comes as no shock that most of the studied “greats” of this field look nothing like me and do not capture work that reflects my existence. Representation matters and Deborah Willis’ continued effort to share stories of our existence inspires storytellers like myself to soldier on and continue sharing our perspective. Check out the Vice article featuring Deborah Willis here and Reflections in Black can be purchased here.
I’m not exactly sure how to describe Claudia Rankine’s Citizen: An American Lyric, but I can say that I can’t put the book down. I’m a few pages away from finishing it (devoured it in 3 days) and it resonated deeply with my being as a black woman. Her combination of poetry, essays and what I would call think pieces weave together to form an intricate and important collection of timely work in a society undoubtedly fueled by race.
Claudia Rankine’s bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person’s ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named “post-race” society.