Via Tamron’s site:
Go to extremes with the world’s first* 22.2x ultra-telephoto all-in-one zoom.
Introducing the world’s first ultra-telephoto all-in-one zoom lens for the APS-C format. With a focal length range of 18-400mm and 22.2x zoom, it has an ultra-telephoto range equivalent to 620mm in the 35mm format. This brings distant subjects closer, while providing perspective-flattening effects that are only possible with an extreme telephoto lens. Plus it offers exceptional optical performance across the entire zoom range—from wide angle to ultra-telephoto. With this new lens—and its Moisture-Resistant Construction—Tamron brings the art of photography to the joy of travel. Now you can use the same lens to shoot everything from stunning landscapes and neon-lit cities to detailed portraits and delicate flora. The ultra-telephoto range makes it just as easy to photograph animals and sports. And with a maximum magnification ratio of 1:2.9, you can even enjoy tele-macro photography.
On June 22nd, Brooklyn Central is hosting its first annual summer print sale featuring photography by yours truly! Select prints of mine will be available for purchase directly from BKC on Thursday June 22nd at the BKC headquarters at 33 Washington Street Brooklyn, NY. Stop by, check out some great photography and purchase a print or two!
I’m taking it back, way back! 10 years or so ago I created The B Side Show Podcast. The idea began with my frustration while a student at CSB (great school) with traditional FM radio and its limitations. The same songs being played every hour, the same dry talk breaks, interviews with artists who weren’t saying much with their music or in their interviews and hosts who didn’t ask the thought provoking questions that I thought should have been asked OR discussing topics that I felt were important enough for some air time. Back then, no one knew what a podcast was. People were still beginning to understand and accept the concept of satellite radio and paying for exclusive radio content so the idea of an online radio show kept many scratching their heads. Now, everyone and they mama has a podcast. I noticed the change in tide and began seeing the over saturation of the podcast platform early on, right around the time that I began expanding my brand and began falling in love with photography and video productions. By the time my last show aired, there were new podcasts by big named celebrities and public figures popping up weekly and the concept of playing music from artists not heard on traditional radio was something that had made its way into the mainstream. In short, everyone was doing it. I decided to cease production of the show (better to end on top) and rebrand the idea of the show to focus on my photography and visual arts. Thus thebsideshow.com became shavonmeyers.com and my popular podcast episodes remained idle on various external drives.
(Me at CSB as a student working on The B Side Show)
I recently started thinking about The B Side Show and how FIYAH it was (fire emoji). I will pat myself all the way on the back because I was a one woman band. I filled the role of creator, host, producer, engineer, editor, talent relations etc. I was the show! I contacted and interviewed every artist on the show, created every playlist, recorded every interview with the artists, held down the website and posted every edition of the show myself. I did all of that and promoted the show without any type of machine behind me. I managed to gain listeners across the country AND globe. People as far as Africa, Alaska and Asia have heard my voice via The B Side Show and for that I am forever grateful. Again, I have to stress, this was 10 years ago when it wasn’t as easy as it is now. There was a lot to learn but I managed to do it and put together some amazing radio content. Content so dope that the shows have a fantastic shelf life, which brings me to now: I’m posting old episodes of my show for those who have never heard it AND for the overnight “radio hosts” that pop up daily…because, levels. I also had a full time radio job at Sirius XM which kept me on my toes and my skills sharp because I worked on live radio broadcasts everyday. I don’t know who in the terrestrial FM radio world besides talk radio shows actually do FULL LIVE radio broadcasts everyday but being in that environment made me the radio beast that I became. So here we are. Me with tons of content a decade later and a platform to share it. I’m unlocking the vault and rereleasing some of my old shows for the next few months or until I get tired of hearing myself again. The first oldie but goodie comes at a perfect time. The year is 2007 and I decided to tackle the gay marriage conversation on my 8th show. MY 8TH SHOW EVER, lol. I went straight for the jugular clearly and despite the freedom of shows today, back then no one was really talking about these topics while playing “B Side” songs and songs from newer artists. The topic of gay marriage was quite controversial then, even our beloved President Obama at the time did not fully support it so my views were probably considered a little on the radical side since most people were not willing to say out loud on a public platform that they supported gay marriages. Other than the somewhat dated material, the show still sounds amazing technically, playlist is still fresh and I think I did a damn good job for it being my 8th completed show. Listen below and you be the judge!
Just in time for Pride month I present: The B Side Show #8 “Gay Marriages” Air Date: Winter 2007.
It’s the most wonderful time of the year…PRIDE! If you don’t know, I support the LGBTQ community to the fullest and since 2011 (WOW that feels like yesterday) I have walked in the NYC Pride Parade with my cousin and her wife. I captured some pretty epic footage the first year that we walked in the parade and decided to bring it back just in time for this year’s celebration. This is all raw footage of the day but it does a pretty good job of showing just how much fun the Pride Parade is. Enjoy!
I took a much needed vacation to the beautiful island of Puerto Rico and I even succeeded in not turning my entire trip into a full on photography assignment! I decided to take one camera (my camera “B” aka Nina) and one lens (Canon 50mm f 1.8). While I did get to spend days on the beach soaking up the sun, explore the island and R-E-L-A-X, I also spent an entire day in Old San Juan snapping away. Puerto Rico is a beautiful island filled with rich culture, delicious cuisine and beautiful (and colorful) architecture. Check out the photos below!
I’ve never heard of the GoDox brand but they have my attention with their new AD 200 Pocket Flash. As a freelance photographer who criss crosses the 5 Boroughs for shoots, I’m always excited when a company figures out a way to make a photographer’s life easier without sacrificing quality. I have not seen the output on this new product which seems to be a travel sized hybrid strobe/speedlight but at a very attractive price and impressive specs, this might not be a bad lighting option to have in my camera bag.
I’m a little tardy to the party on this one but better late than never. NAO hails from East London and might not be a new name to many but she is to me and her debut album For All We Know which dropped back in 2016 has been in heavy rotation in my household. I was first introduced to the artist, who for some reason I assumed was a band and not a solo artist, via a playlist on Tidal. NAO’s song “Girlfriend” was on the playlist and I instantly fell in love with her high pitched melodic tone. I really thought (and still do think) her voice was the product of a producer or engineer going a little too heavy on the effects, but it worked and I loved it. Whether it’s all her or a creative enhancement on her vocals, that unique sound that she seems to be well on her way to mastering is what works throughout For All We Know. Other standouts for me include Bad Blood, In The Morning, Blue Wine and (Feels Like) Perfume. As always, you be the judge and check out NAO for yourself.
Let me be honest, I did not like the film Moonlight. I KNOW, very unpopular opinion here but I didn’t. Not to take away from any of the actors or the production crew but I felt like it was a very skeletal piece. The film didn’t feel fully fleshed out and seemed very incomplete, but that’s just my opinion. This dance piece by the Alvin Ailey dancers set to the main score of the film however is a beautiful piece that almost, ALMOST makes me want to give the film a THIRD try (yes I watched it twice hoping I was missing what everyone else appears to get about this film…nope).